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The fin de siècle unfolded as an age trembling on the edge of delirium, its imagination consumed by the dangerous allure of forbidden pleasures. Within the dim parlours of Symbolists and Decadents, sexuality became a theatre of peril—an art form sharpened into a weapon of fascination and undoing. At the heart of this fevered vision rose the femme fatale: spectral, magnetic, and mercilessly seductive, goddess and predator, her beauty a venomous gift that dazzled even as it destroyed. In her presence, desire was charged with menace, rapture inextricable from ruin. The artists who invoked her spirit moved in a trance between lust and annihilation, crafting images where longing itself seemed to pulse with corruption. Every encounter shimmered with threat—each look, each touch a promise of exquisite bliss shadowed by the certainty of collapse. It was an art intoxicated by danger, reveling in the erotic as the surest path to transcendence and the abyss alike.
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