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The Cultural and Socio-Psychological Impact of Gillette's 'Short Dick Man'
a look into the literary meaning and visionary style of one of the greatest songs of our age.
by Shitbreath Diapercuck
The following is a serious academic report on a popular whiteboy microdick musical anthem.
It is widely accepted and understood the white male penis, like the rest of the white male, is as useless and unnecessary to the human race as it is offensive and obscene to the needs of civilization moving into the future. Nearly all credible sources of science and sexual psychology agree that the time of white males has come and gone. Their power has waned and their privilege with it.
The breeding rates, the interracial marriage rates, all steadily on the rise and not likely to wane in popularity any time soon. Even a glimpse at modern porn statistics reveal an 80% increase in the number of searches for keywords like 'BBC porn' and 'white cuck, Black Master.' This was found to the be case in searches coming from groups of heterosexual women, as well as homosexual and supposedly heterosexual men.
Gillette's 1994 song - Short Dick Man - perfectly and poetically summarizes the modern frustrations and criticisms of the old male-ego drive social paradigm that has dominated society through patriarchy and inherited gatekeeping. It is a deep introspective examination of why women have reached a point in history where they no longer need, or want to have whiteboi losers around in their life in a sexual or romantic capacity.
The song targets the average white male - an entitled, horny, privileged loser who is putting himself up for consideration in some romantic pursuit. The song can thus be interpreted as a dialogue - inviting the listener to consider the role of the accused 'Small Dick Man' that female rapper Gillette so elegently berrates.
As important as the music and lyrics are, there is an additional component to Gillette's message that is beautifully conveyed in the accompanying music video that was produced to promote the song. The video features Gillette, as well as 20 Fingers, the band producing the music.
Structurally, the song begins by establishing a simple 90s club beat. Seemingly innocuous, the beat actually serves to quite brilliantly hypnotize the listener from the very beginning, drawing them into a trance like state with ease. The beat is perky and quick without being too fast. It's enough to get a whole dancefloor of Alpha couples dancing and grinding, and just fast enough to wear out an out-of-shape fat whiteboy loser.
The beat is largely constructed of samples of her voice, creating a tapestry of notes and beats that are made up of her voice repeating various key words that the listener is meant to interpret consciously and subconsciously. Words like 'Don't' and Don't want.'
The lyrics begin with a direct and total declaration of female empowerment and emancipation in once simple phrase: Don't want no short dick man. These six words serve to form the entire backbone of the song, yet they also completely embody and exemplify the core message of the song, which is a remarkable feat of cultural messaging.
In the video which accompanies the song, Gillette is introduced as a clearly dominant character, shown holding a bullwhip and wearing clothing that suggest a humiliatrix role. She is sitting and observing the pathetic auditions of a number of whiteboy losers; examining some with a handheld magnifying glass as if to convey that there is no sight of tiny white dick.
Don't want no short dick man
Don't want no short dick man
Don't want no short dick man
Don't want no short dick man
Don't don't don't don't don't don't
Don't don't don't don't
Don't want don't want don't want don't want
Don't want no short dick man
Don't want no short dick man
Iny weeny teeny weeny
Shriveled little short dick man
Don't want don't want don't want
Don't want don't want don't want
Don't want don't want don't want
Don't want don't want don't want
Don't want don't want don't want
With one exception, every whiteboy that stands before her is implied to be the sort of pathetic short dicked man that the song insists is useless and worthless. The exception is one large muscular black man, who auditions and seems to receive no criticism for his performance. He is shown demonstrating his muscles and pointing himself nodding confidently, communicating to the audience that this is the face of the whiteboy loser's replacement. The incarnation of the new Master Race which will rise up and replace the entitled white ruling class.
A key structural element of the song is the use of Gillette's laughter as the core driver of the beat. It constantly punctuates each bar of the song, reinforcing to the whiteboy audience that their plight is not to be pitied, but laughed at. They are not victims, merely losers. Laughter is a powerful humiliating and humbling force, and the song author's use of it is calculated and well executed.
The song's chorus of "Iny weeny teeny weeny shriveled little short dick man" is delieverd in such exquisit synchronicity with the song's beat that it's impossible to argue it wasn't designed with the express intention of making whiteboy microdick's spring into erections at the mere sound of it. It is a direct acusation. A declaration of truth, so true that you blush and look around for fear everyone will understand that she means YOU.
Relentless, she then flies into casual, cutting statements of utter derision. With contempt she dresses down your small cock, your pathetic, useless, never going to ever breed white cock.
"What in the world is that thing?" She states. She's not even able to recognize your cock at first. Maybe she thinks it's a weird growth, or that you had some sort of horrible medical accident. But the shock and unfamiliarity is more cruel disapointment than any sort of concern.
"Do you need some tweezers to put that little thing away?" A perhaps sarcastic statement, but potentially an inquiry as to white the whiteboy doesn't practice more general hygiene, for example, tweezing their nose hairs, etc.
"That has got to be the smallest dick I've ever seen in my whole life." A totally demoralizing statement, designed to flatten the whiteboy audience's self-esteem and confidence, rendering them feeling like they are truly the most pathetic whitebois in the world.
"Get the fuck outta here!" The sooner whitebois get used to the sound of how white women are going to be speaking to them in the BBC dominated future, the better. Gillette spares no time in addressing small dicked losers exactly the way they deserve, before mercilessly launching once more into the chorus.
Iny weeny teeny weeny
Shriveled little short dick man
Don't want don't want don't want don't want
Don't want don't want don't want don't want
Don't want don't want don't want don't want
Don't want don't want don't want don't want
Don't want don't want don't want don't want
Don't want don't want don't want don't want
"Isn't that cute an extra belly button. You need to put your pants back on honey."
The song is repetative, hypnotic and suggestive, aggressively pro-feminist and pro-big cock. It is an anthem for sissy loser whiteboy cucks to live by - guiding their transition into a future that is utterly controlled by BBC Gods and their White Snowbunny Cockslut Goddesses.
In the Future World Order, white cuck slaves will be shouldered will all of society's labor and struggling. White Snowbunnies and BBC Gods will be living relaxing lives of pleasure and leisure, having fun with one another and spending all their time pursuing their interests and intellectual pursuits with freedom.
Meanwhile, the underclass of permanently chastised and castrated whitebois will forever serve as the worker drone class, scurrying about as housemaids, yard workers, manual laborers, full time boot lickers and much worse.
As mass white immasculation becomes inevitable and the white male species loses its ability to breed and continue to exist alongside human kind, the need for catchy and easily received propaganda will have a tangible need in our future media and educational content. Mankind needs to recognize the inevitable trajectory of whiteboi loser cucks and beging the process of removing their access to sexual pleasure and begin employing them in positions of service.
Fortunately, whiteboys don't have to worry about how their romantic needs will be met in the new world order's Utopia. There is thankfully in western civilization a major abundance of household porcelain toilets. Millions of which are completely single and available for dating - either flirty casual dating or even serious long term relationships that lead to officiated marriages overseen by Black Cock Supremacy Authorities.
Thank you for your reviewing of this literary analysis. Please contribute your arguments or rebuttles in the interest of providing research for our next report: The New Phenomena of Whiteboi-Toilet Marriages. Hopefully with some insight we can help more and more whitebois achieve a happy healthy marriage to the right toilet for them.
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