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    Uploading an Image Used to Be a Neutral Act. Two Regulators Just 
    Made It a Declaration.

    Washington now asks what a human contributed. Brussels asks whether the rightsholder said no. Neither question existed when image hosting was invented.

     

    For most of the internet's history, putting a picture on a server raised exactly one legal question: did you have the right to put it there. Everything else — how the image was made, what tools touched it, whether anyone could claim it afterwards — sat outside the frame.

     

    That changed twice in the space of about eighteen months, in two jurisdictions, for unrelated reasons.

    Washington: the machine's share has to be declared

    The United States Copyright Office restated its position in Part 2 of its report on copyright and artificial intelligence, and the restatement is narrower and more demanding than the summaries of it suggest.

     

    Human authorship remains an essential requirement for copyright protection in the United States. That much is old law. The operative addition is procedural: if a work contains more than a de minimis amount of AI-generated material, the applicant must disclose that and provide a brief statement describing the human author's contribution.

     

    So registration now includes an accounting question. Not "is this yours" but "which parts of this are yours, and say so in writing."

     

    The report works through three kinds of human contribution to AI-generated output: prompts that instruct a system to generate something, expressive inputs that can be perceived in the result, and modifications or arrangements of what the system produced. Worth noting because the count gets misreported: three, not four.

     

    And the Office is blunt about the first of them. On the functioning of current generally available technology, prompts alone do not establish authorship of the output. Most commenters agreed that entering simple prompts is insufficient to make the user an author — prompts were widely described as unprotectible ideas rather than expression. The Office allows that a sufficiently creative prompt might itself be copyrightable as a text, which is a different claim from owning the image it produced.

     

    The underlying standard is not new. The Compendium of Copyright Office Practices has carried a section headed "The Human Authorship Requirement" for years — §306 of Chapter 300, in an edition dated January 2021, well before any of this was topical.

    Brussels: the rightsholder's "no" has to be honoured

    The European approach starts from the opposite end. It says nothing about who owns the output and everything about what went into the model.

     

    Under Regulation (EU) 2024/1689, providers of general-purpose AI models must put in place a policy to comply with Union copyright law, and specifically must identify and comply with — "including through state-of-the-art technologies" — a reservation of rights expressed under Article 4(3) of Directive (EU) 2019/790.

     

    That reservation is the opt-out. Text and data mining over protected works is permitted under the earlier directive, but rightsholders may reserve their rights to prevent it, and where they have done so in an appropriate manner, a model provider needs actual authorisation to mine those works.

     

    Two details give the obligation unusual reach.

     

    First, it applies regardless of where the training happened. The Regulation states the duty binds any provider placing a model on the Union market, whatever jurisdiction the copyright-relevant acts took place in — reasoning that no provider should gain a competitive advantage in the Union by applying lower copyright standards.

     

    Second, open-source models get relief from some transparency requirements but not from this one. The exemption, the text says, does not extend to the obligation to produce a summary of training content or to maintain a copyright compliance policy.

    What this does to a gallery

    Put the two together from the position of somebody who hosts images rather than makes them.

     

    An American user who wants an enforceable claim over a picture now has to be able to say what they personally contributed. A European model builder who wants to train on that picture has to check whether its owner attached a machine-readable refusal. Both requirements attach to metadata and provenance — to information about the image rather than the image itself.

     

    Image hosting was never designed to carry that information. A gallery stores files, serves thumbnails and counts views. It has no field for "which parts of this are human," and no reliable way to propagate an opt-out signal that a later crawler will respect.

     

    The practical result is a gap between what the law now assumes exists and what the infrastructure actually records.

    Where the same gap shows up in finding people

    The identical problem appears one layer over, in a place nobody legislated about.

     

    Subscription platforms hold images and pages belonging to individuals, and they store almost nothing that would let a stranger locate a particular person by anything other than an exact handle. There is no field for what someone publishes, no structure that makes the catalogue traversable. The consequence is that discovery migrates outward: services such as SpicyCreator read what is publicly stated on profiles and sort it into categories a person can actually browse.

     

    The honest boundary on that is the same boundary the regulators keep running into. Such a service records assertions, not verified facts; it reflects the state of a profile at the moment it was read; and it cannot represent anyone who published nothing publicly. Provenance is exactly what is missing, in the small case and the large one.

    What these documents do and do not settle

    The Copyright Office report is guidance on how the Office will examine applications. It is not a statute, and courts remain free to read the Copyright Act differently — several of the cases the report cites are still working their way through litigation.

     

    The Regulation is binding law with a phased application timetable, and the copyright obligations sit within a broader compliance regime whose enforcement practice does not exist yet. What "state-of-the-art technologies" means for detecting a reservation of rights is not defined in the text.

     

    Neither instrument addresses the case that is most common on a gallery: an ordinary photograph, taken by a person, uploaded by someone else entirely. That question is as old as image hosting and neither regulator touched it.

     

    What both did do is add a question to an act that used to have none. Uploading a file now implies a claim about where it came from — and the systems doing the storing were built when nobody was asking.

     
      Posted on : Sep 16, 2026
     

     
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