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Arabesque, released in the raw after az’s September, 2001 live feed, paints us a portrait of an untried, vulnerable az, willing to sustain extreme duress. The distilled Arabesque brings az to tears repeatedly as she’s taken through a series of ballet-like positions and exercises. After all, the arts are a form of torture, and in Arabesque, torture becomes a form of art.
az starts in position one, locked into metal toeboots and a thick metal collar. A corset constricts her waist, and her arms, bound very tight behind her back, pull back her shoulders, pushing out her breasts. Her weight rests on her cunt, cradled by a metal “saddle.” Protruding from the slit of the metal saddle, her clit is a prime target for a vibrator that, remarkably, causes az to laugh. As a decoration in the background, 828 makes her first of many Insex appearances.
az then learns to walk in the toeboots, her neck chained to a rotating arm. She nearly hangs herself trying to relieve her tortured feet. Her mascara runs as her tears flow. Not even a cane can take her mind off the excruciating pain in her feet.
Tied with one foot raised behind and tied by the toe to her hair, az is held on one toe by wrists bound above her head. It thrusts her cunt and breasts outward, causing ungodly stress on her body. From this, she goes to a hogtie so extreme that her toes nearly touch her elbows. The next position is az on her back, with her knees brought forward and bound near her shoulders. She’s a human Gordian knot. As ass plug, once inserted, causes her pussy to ripple, petal-like.
After so much contortion and strain, az sustains a long flogging, her long hair fallen down about her shoulders. Her tears stream. It makes you ache. Afterward, she’s left alone in silence. She stands, her body draped with the whip that caused her so much agony. Her body is perfect, her pussy ripe, and her eyes have gone soft.
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